New Orleans Airlift: Porchlife (in Coney Island on Aug 4th)

STOMP meets electronic dance music..  TurningJewelsIntoWater got to play the porch set up by New Orleans Airlift on Saturday, Aug. 4th.  While we didn’t get to play all the structures, this is what was available for us:

“Strings are set along the first set of the railing. One side are bass strings, the other guitar strings. These are all tunable. The house is tuned to D Major, so these are tuned to harmonize with the rest of the house. There are loop pedals on each side (one for bass and one for guitar). You can create a bass loop, and then add to it by using the pedals located at the other instruments. 

On the first landing there are a set of large chimes. To the left is a device designed by Quintron that “plays” the weather via sensors and synthesizers. It emits a drone that can be manipulated via the dials on the panel. To the right, there is a porch swing that acts as a “metronome”. As it moves back and forth it activates a striker positioned inside of a wood block.

The steps to the second level have MIDI triggers that play percussion samples. Two panels in the wall also have triggers. Drums, cymbals, and 808s. These can be played using feet and hands, or they can be played with mallets to give you a little more control.

The second level has a marimba railing (n.b. this instrument sounds best when you strike the edge of the bar, unlike the traditional instrument that sounds best when played in the center of the bar). D maj. The marimba has a loop pedal and a delay pedal rigged to it. To the left of that is a PVC tube xylophone.

There is a door at the highest level with handbells, again it has the notes of a D major scale, though they aren’t arranged in scale order. There are also jingle bells attached to the lower half of the door.”

Bang on a Can Marathon 2018

We’d been honored to have been invited to perform at this years’ Bang on a Can Marathon on May 13 at NYU Skirball, which included the legendary Terry Riley, as well as artists such as Mazz Swift, Ethel Quartet, Xenia Rubinos, Stephin Merritt, et al.

Record Label Signing and Beyond

I just signed with FPE Records to bring TurningJewelsIntoWater into the world. Honored to share the roster with Debo Band (who’s “Ethiopiques” influences are among some of my all time fave life-changing records), Nicole M. Mitchell (who’s ‘Mandorla Awakening’ slayed Top 10/2017 charts across the board, and channeled the AACM “ancient to the future’ practice in earnest) and other equally dope genre-bending artists.

Even to get to this starting point, it’s a community effort. Big thanks to my partner Larisa Mann for continuing to have faith in my music, for the incredible talents of Val Jeanty, for Pioneer Works for giving me the space to experiment and create this project, my cousin/ uber producer Alap Momin , for Tristra Newyear Yeager (Rock.Paper.Scissors) for making the intro, and ofcourse to FPE Records, for offering up a ‘turnkey’ operation, from producing vinyl to working as our booking agent. Taking nothing for granted. 

Cover art/design by Pana Li (Diana Castro)

New Project: Turning Jewels Into Water

The Intersection of Ritual, Improvisation, Global Rhythms and Music-Technology

This new project with composer/ percussionist/turntablist Val Jeanty arose from her participation in a jam session at Pioneer Works in Brooklyn, NY while Momin was artist-in-residence there in September of 2017.  Their collaboration, rooted in improvisation shaped by ritual, evokes the esoteric realms of the creative subconscious.  Drawing from the voodoo religion, Val recreates the ancient rhythm and pulse of Haiti through digital beats, while Momin, whose own musical background is rooted Indian, North African and Middle-eastern traditions, has developed an original blend of electro-acoustic beats, drawing together the improvisational traditions in Jazz and South Indian classical music. Together they explore the capabilities of new technologies to create a seamless blend of multiple electronic and acoustic instruments.